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A world-renowned novel making its debut in Czech theatres. And I even saw it on the first evening after my flight from Bergen to Prague and coming in late in car from the Vaclav Havel Airport to Plzeen. Did I not see anything of new theatre in the Czech Republic which was to my las,ave and interest for new theatre of the post modern and visual kind?
How do I get there from: This was a very close to the audience production, and should have been performed in an even smaller stage than the Alfa theatre.
Yes, indeed Laskve did, although it was not perfect technically. This is a great epic production, almost with a filmic quality.
The Problem with the space at the Pilsen festival
But it was a bewildering produciton in the way of story telling, which covered up a thematic which still is of higt actuality. So, now, by coming to the Divadlo in Plzen I got the chance to update myself, as well as taking part in a dialogue between the international, especially then the Nordic, and Czech theatre.
Send me a notifcation with the date: It was witty, it was funny and it required some walking and discussions while walking.
A powerful and dramatic story full of excitement, devotion, repressed sexual desire, friendship, but also cold rationality, emotional deprivation and various inner demons, it demonstrates the horrifying danger bkhyne within everyone, ready to manifest bhoyne under the right circumstances. Did I not see anything that could stir my interest for a new and upcoming theatre in the Czech Republic?
Other places where events were held. For the next year festival, it should be taken hight for the possiblity of some company needing a very small, ambient or intimate space to perform in. I would give it 4 dots.
Anyhow, it should be possible to work on finding alternative spaces. This massive novel by the American author Jonathan Littell first came out in and immediately became a literary landmark. In April this year I was invited to sit in the jury of laakave festival Kontrapunkt in Szczecin in Poland, so I bohynf been given the chance to get some impressions of Polish theatre and the Polish theatre situation and could compare it to the international.
Sa January 26, We February 24, Proti demokraciiwhich had been translated to English as Against Progress. Photo Pohled z ulice.
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It was well made but without any clear motivation for why it was made. It is Proti pokroku.
The pantomime based on the Thomas Mann short story Der Tod in Venedig and the film that was produced, Death in Veniceshown at the festival in the Novy Teatr was a ballet-pantomie, a visit to a Europe bohyyne the verge of the catastrophy of the two world wars. At that time I got the impression that some of the Czech theatre was striving to renew itself when it came to puppetry.
Pod Palmovkou Theatre Praha. Knut Ove Arntzen So, what did I see of laskavf from the Czech Republic? I really had wished I could have seen bohyme Warlinowski. Points of interest in the surroundings.
I have to be very critical towards it and say a 2,5 dots. Grafika Designiq a implementace edvens. The invitation to Plzen gave me a similar chance to see theatre from the Czech Repulic, as well as from Slovakia, and compare it to other international visiting production.
The Problem with the space at the Pilsen festival – Divadelní noviny
Maximilian Aue never existed. The international productions I got to see in Plzen were Thomas Ostermeiers Ein Volksfeind Nepritel lidu by Henrik Ibsen, a production I already had seen in Berlin, but seeing it again at this occasion was great. But high quality does not always mean artistically interesting theatre. I wonder if Plzen does not have a small space theatre, smaller than Alfa. Hostel Seven Praha rate from It was shown in the University, The Art Academy Departmentso it was a staging of a house, it was going to the outside laskxve the city — and it was a great atmosphere.
Because of this problem, I cannot give the production as I saw it more the 3 dots vohyne, but I can imagine a better rating when the maximum of intention by space and situation is fulfilled. Anyhow, Theatre Leti got what they needed. At least the auditorium should not have been darkend. It was witty, it was funny and it required some walking and discussions while walking, and it had a great potential to improve and be taken on in all respects.
So, there is a problem with the space at this festival, since even not The New Theatre did not seem to ,askave a small stage, which could have paid this grotesque of existential character more justice.
Historical fiction based on an ancient drama. Traffic restrictions in the surroundings during the event: This invitation gave me the possibility to see some more performances, although I could not stay the whole festival to see everything. One of the first remarks I would like to make is connected to the production I did not see, the A pollonia directed by Kryzsztof Warlikowski, which Norwegian collegue of mine got the chance to see.