Posted on March 21, 2019


Der Jasager und der Neinsager – Free download as PDF File .pdf) or view Es una ópera con música de Kurt Weill y libreto en alemán de Bertolt Brecht. Der Jasager. Bertolt Brecht. Bertolt Brecht. Search for other works by this author on: This Site · Google. Theater () 6 (2): The school opera Der Jasager goes back to the Japanese fable Tanikô, a play from by Elisabeth Hauptmann and made its way to Kurt Weill and Bertolt Brecht .

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In other projects Wikimedia Commons. We cannot do that. I remind them that I spoke the third prompt: This genre of theater provided the perfect material for Der Jasager; the spare, stark, and highly stylized gestures of the Noh actor are reflected in the similarly distilled music by Weill.

Please take 3 minutes. The majority of my students, especially those who volunteer to talk, produce three conventional paragraphs claiming that, yes, a group would benefit from performing the Brecht scenes.

What I need far more is a new Great Custom, which we should bring at once, the Custom of thinking things out anew in every situation. The boy decides that he knew the risks brrecht should not impede the expedition. The teacher reminds them that the sick person may also demand that the entire party turn back.


I beg you not to leave me lying here, but to throw me down into the valley, for I am frightened to die alone. It served as a lesson in opera performance, in stage production, and in musical composition. Guide to orchestration, territory abbreviations, and publishers’ symbols. After several members of my class share their thoughts, a rustle of activity became noticeable as students began passing their third piece of writing forward, expecting Evaluation.

It was also meant to be educational in another regard, likely a reflection of librettist Bertold Brecht’s increasingly assertive Marxist tendencies. But the boy reminds him that he is visiting a great physician, who might be able to help his mother.

A class on Bertolt Brecht’s Der Jasager/Der Neinsager » Learning to Kneel | Boston University

Schuloper by Kurt Weill. He has said yes. Then the three students bear him gently to the cliff and throw him over.

Works for the stage by Kurt Weill. Did the form of your response change with each prompt? The child, who decided to join the journey in order to get medicine for his ill mother, becomes sick during the climb and the TEACHER tells him:.

Kurt Weill: He who says yes (The Yes-Sayer)

Did your argument change after each of the three pieces? Retrieved from ” https: I tell the students that I will once again ask them to hand in their work. But the same Custom prescribes that the one with the sickness be asked: Why or why not?


The melody must give clear expression to the gest. Whoever says A must also say B. The teacher forbids him–the journey is too long and difficult and he should stay home.

Yes, I am consenting. Or do you consent that you should be hurled into the valley as the Custom prescribes?

Der Jasager | Theater | Duke University Press

Of course, the pressure of Evaluation encourages them to apply the explicit instructions from the first prompt to Yes 2 and write a paragraph arguing for its pedagogical value. Following the performance, I post a prompt for the second writing exercise: The chorus explains that the teacher, the boy, and three older students are on the way back, and the boy is exhausted ” Die Leute haben die Reise in die Berge “.

What claims did you make about whether or not students would derive any benefit from performing the opera? So are you consenting that you should be left behind?